The Consolation is the product of the dramatic circumstances that ended its author’s life. While the medieval audience, for the most part, responded to its more obvious features, its hidden complexities and subtleties are what can open its appeal to readers now. The Consolation is a far more subtle work than it at first seems to be. But, if read carefully, in its historical and literary context, it should do. Unlike Plato’s dialogues, for instance, or René Descartes’s Meditations, it no longer seems to carry a broad philosophical appeal. Yet now the work is the preserve of scholarly medievalists. Although Aristotle’s texts shaped the university curriculum, and Augustine’s thought was ubiquitous, in the period from 800 until about 1600 no other philosophical text could compete with the Consolation in its appeal – not just to the intellectual elite but to a much wider audience too. It was read not only by those who could understand its 6th-century Latin original but also those who studied it in any of a multiplicity of translations, into Old and Middle English, Old French, Old High German, Italian, Spanish and many other languages, including Greek and Hebrew. For nearly a millennium, The Consolation of Philosophy by Boethius was a bestseller throughout Europe.
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